WPA

KN, p. 119 “What does a firefighter wear?”

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Firefighters have one of the most dangerous jobs in the world. Walking into a house fire that could reach 1000 degrees in under a minute (that’s not a typo) or a chemical fire that may reach double or triple that temperature in seconds, while  battling smoke inhalation as well, means a firefighter’s life depends on being supplied with the best equipment that money can buy. Without the proper gear, firefighters can’t stay inside a burning structure long enough to rescue victims or fight the fire successfully.

So, what is the right gear that keeps them safe and still allows them to do their jobs?

Tim Fitts, a veteran firefighter in North Carolina, and Coordinator of certification classes for firefighters and rescue squads at Guilford Technical Community College, demonstrated his gear on a 95 degree day in September. Fire isn’t selective about the weather, so it’s a good thing for us that firefighters train and work under all kinds of conditions.

The firefighter uniform is generally called ‘turnout gear’ by firefighters because they turn it inside out when not in use, so that they can step into it quickly and pull it on/up when the fire bell/siren sounds. Firefighters need to get completely dressed in about a minute, so any safe system that will speed up the process is used. Some guys pull on the boots and pants, grab the rest of the gear and finish getting dressed in the truck as it pulls out of the fire station. 

The official name for the gear is Personal Protective Equipment (PPE).

Parts of the firefighter uniform:

While on the job at a fire or rescue operation that might result in a fire, most firefighters will wear these pieces of clothing:

  • Boots, insulated with steel toes and steel shank
  • Cotton t-shirt
  • Gloves, insulated leather
  • Helmet, with neck flap and eye protection
  • Hood, Nomex
  • Jacket, insulated, with Velcro and spring hooks
  • Pants, insulated, with Velcro and spring hooks, with extra padding and pockets
  • Suspenders

These three hoods are made of different fabrics: Kevlar blend, PBI/Kevlar, and Nomex.

Firefighters put a hood on before the jacket, so that it sits properly on the shoulders. They tend to wear two hoods to protect against a flashover, giving their heads the extra defense needed in the intense heat. If a flashover occurs, the firefighter will have about two seconds to get out of the building. If the hoods are not providing enough coverage, it will feel like 1000 bees stinging the ears at one time – it’s too hot to stand. It’s time to get out.

The helmets are made of thick, heat resistant plastic and often include Kevlar or Nomex flaps for the ears.

Firefighters are taught to fight fires on their knees (not while crawling) so the extra padding helps cushion the wear and tear on the knees.

 

In addition, the firefighters put on:

  • Airline and pressure gauge
  • Flashlight
  • Positive pressure mask
  • PASS device
  • Radio
  • SCBA shoulder straps, airtank bottle and backpack frame

The PASS device (Personal Alert Safety System) is a personal safety device used by firefighters entering a hazardous environment – a burning building. When the firefighter does not move for 30 seconds, it makes a loud, shrill, really annoying  sound, letting others in the area know that something is wrong.

The mask on the left is a newer model, the one on the right? Older. There has been an upgrade in technology for the plastic in the mask, developed because at high temperatures, the old plastic would fail (melt). It was the weakest part of the uniform. The new version will not fail as quickly.

                         

 

 

 

 

 

 

Note that even the air tank is protected with a fire retardant fabric.

The idea is to be protected from the fire and to be able to breathe safely while he/she works. The positive pressure mask on the SCBA (Self Contained Breathing Apparatus) gear keeps the toxic air out as much as possible by allowing the tank air to flow continuously, even if the firefighter is not inhaling. By the way, the tanks are full of compressed air, not oxygen.

 

Most of the clothes have reflective tape so that the firefighter can be seen more easily through the smoke and low light/darkness. Some departments are large enough that they use color-coded reflective tape in order to tell the full-time firefighters and the volunteers apart.

The uniforms are sized to the individual firefighters, so that when they bend over, there is at least a two-inch overlap with the fabric pieces, and no skin is exposed to the crippling, blistering heat.

Hip boots of years ago, are now old school because of the area of the body they left unprotected from heat. Now the boots have steel toes and shanks and are calf high or knee high in length.

When fully dressed, the firefighter is wearing about 70 pounds of equipment. Add more weight for the tools they have to carry – picks, axes, etc – needed to fight the fire.

After ten years, all turnout gear must be thrown away. It wears out because of repeated exposure to the intense heat and toxic elements. Many large, active fire departments dispose of the clothing after only five years, because of their more frequent use and improvements in technology.

Firefighting gear is not fireproof. It is fire retardant.

Some of the clothing has 3 layers, each layer performing a different function. People can only tolerate temperatures to 135 degrees, so the specialized fabrics extend the time available to do the job. Firefighters get very uncomfortable at 250 degrees, and the time limit for the firefighter at that point is about 30 seconds to reach someone and get out. One of the firefighters at Command keeps track of the men/women – where they are in the structure and how long they’ve been working the fire.

Nomex degrades at 400 degrees, so needs to be used in addition to other fabrics if fighting a structural fire. It tends to split when the wearer is running. When combined with Kevlar, it becomes more flexible and the fabric breathes a bit better.

PBI degrades at 1100 degrees, allowing a much better chance for the firefighter to stay safe while fighting a house blaze. It stays intact in the extreme temperatures and allows the firefighter extra time to get to a victim and then get out.

Gortex helps shed water.

 

Heat goes through each layer a bit at a time. Each layer is a necessary barrier, in its place to protect the firefighter and keep his body from getting hotter than is safe.

After fires, all of the clothing needs to be taken apart and washed, because everything in a fire is carcinogenic. Hmm…that means that the entire time a firefighter is working the fire, his equipment has to protect him from the flames and the smoke, as well as anything else thrown into the air, both in the active fire and in the area outside the building.

Some fire Captains insist that the clothing be stored away from the sleeping area at the station, because it may still contain toxins even after being washed. If you get a chance to visit a Fire Station, you might be able to tell where the gear is kept, before you ever reach the room. The smoky odor is sharp and unforgettable.

Cost of Basic Turnout Gear (approximate)

  • Pants, jacket, gloves – $1,150.
  • Boots – $175.
  • Helmet – $150.
  • Nomex hood – $60.
  • PASS device – $300.
  • Airpack with mask – $4,500.

      

 

 

 

 

 

 

Tim Fitts told us about the testing going on at NC State’s College of Textiles, in the search for better, more effective, fire retardant fabrics.

To see a demonstration of how a firefighter’s uniform reacts to fire, click here for NC State’s PyroMan video:

https://textiles.ncsu.edu/tpacc/heat-and-flame-protection/pyroman

Every second counts when rescuing you or your pets in a fire. We know that a simple house fire can fully engulf an 8’x10’ room in 90 seconds. That’s not a typo. If the firefighters are on the scene before that happens to the entire house, they need as much lead time as possible in order to keep a rescue operation from becoming a recovery operation. That’s when the best turnout gear on the market is worth every dime.

*Photos by Patti Phillips, taken at Guilford Technical Community College, NC, during Writers’ Police Academy.

Thanks to Tim Fitts for generously sharing his knowledge and expertise. As of this writing, Tim, a veteran firefighter and Fire Occupational Extension Coordinator at GTCC, was in charge of all Con Ed certification and non-certification classes in Fire and Rescue subjects to members of NC fire departments and rescue squads. Any errors in fact are mine, not his.

If you’re curious about what it takes to qualify for Firefighter Training, read “How do you become a firefighter?”

 

 

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FW: “Have you been fingerprinted?”

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August, 2019 note: I had occasion to return to SIRCHIE during MurderCon, a  Writers’ Police Academy event. While the instructors were different, it’s reassuring to note that the science remains the same. Read on for details about gathering fingerprints from paper.

People ask me all the time how I acquire the information needed to write Kerrian’s Notebook.

Simple answer: research. And lots of it.

If the questioners want to know more, I mention the conferences I attend, the reference books I read, the internet sources I’ve tapped into, and the experts willing to chat about their chosen fields. It’s a fascinating part of the job and I love it.

The next few posts will reveal some of the information gathered at a series of classes where I took photos and lots of notes. If you’re a regular follower of Kerrian’s Notebook, you may recognize some of the details mentioned here as having appeared on previous Detective Kerrian’s pages.

For all out fun, I go to the Writers’ Police Academy – this was the 5th year at the Guilford County, NC location (my fourth). It’s a three-day, mind-blowing experience that demonstrates the nuts and bolts of police and fire and EMS procedure – taught by professionals and experts actively working in the field.

Along with several other strands of study, the 2011 WPA conference provided classes in bloodstain patterns, fingerprinting, and alternate light sources (ALS) conducted by Sirchie instructors. Because of the standing room only enthusiasm for these classes, Sirchie offered a five-day Evidence Collection training session for writers at their own complex in North Carolina. Sirchie makes hundreds of products for the law enforcement community and I felt this would be a great opportunity for Detective Kerrian to learn more about the latest and best gadgets being used to catch the crooks.

 I happily sent in my application and plunked down my credit card to hold my space in the class – ten months ahead of time.

On the first day of classes, our instructor, Robert Skiff (Training Manager/Technical Training Specialist at Sirchie) discussed the ‘CSI Effect’ – the pressure placed by the popular TV shows on real life crime investigation. TV labs and real life investigations bear little resemblance to each other – not in time, or equipment, or budgets. Then we got to work, using the powders and brushes needed to process a crime scene and used by actual techs in the lab.

Fingerprint powders, brushes and magnifier

It’s up to investigators and examiners to prove the case against the suspects, using proper evidence collection techniques and tools, because trace evidence is ALWAYS left behind.

Fingerprints found at the scene are still the favored piece of evidence tying the suspect to the crime. These days, using a combination of ingenuity and newly developed chemicals and powders, a crime scene investigator can lift (and/or photograph) prints from many previously challenging surfaces. 

By the way, black fingerprint powder gets all over everything when newbies are handling it for the first time. We must have used 50 wet wipes each during the morning alone.

After dusting prints with black fingerprint powder,

 

they were lifted from various smooth surfaces using (in forefront) a gel lifter, a hinge lifter and (in background) tape. 

We had to be careful not to contaminate the powders and jars or smear the samples themselves before looking at the prints under the magnifier. By the end of the day, most of us had black eyes and streaks on our hands and faces. It looks much easier on TV.

Our prints were photographed and then viewed under an Optical Comparator. This machine can be hooked up to a laptop, and the image sent off to AFIS for identification purposes. No crooks in our crowd, so we omitted that step.

At the end of the first day we left happy, tired, and still wiping powder off our hands and faces. A tip from an investigator taking the class with us: add a cup of vinegar to the wash load to get those powder stains out.

 

Did I mention that we had loads of fun?

On the second day, Robert Skiff’s assistant for the class, Chrissy Hunter, passed out stainless steel rectangles and we pressed our fingers onto the plates, twice. First time – plain ole print, second time – ‘enhanced’ by first rubbing our fingers on our necks and foreheads to increase the amount of oils in the print. The ridge detail in the prints was so clear in the ‘enhanced’ version that there was no need to process them with powder. We lifted them with a gel lift.

If we were working a real scene, that might never happen, but it could. The usual occurrence is that partial prints are left at the scene and that’s what makes the search for the suspects so much tougher than what the TV dramas indicate. There is no instant ‘a-ha’ moment that comes 45 minutes after the crime has been committed.

The prints are generally sent off to be compared with the millions in the AFIS database, and here’s where TV parts with reality again. AFIS comes back with a list of 10-20 possible matches and someone then makes a comparison by hand of the most likely hits.

After practicing the basics, it was time to move on to fingerprint discovery on documents. There are scheming relatives who forge wills, less than loving spouses who murder for the insurance, bogus suicide notes, and the list goes on. How to prove the nefarious intent? Fingerprints. But…as we discovered the first day, fingerprint powder is messy and almost impossible to clean up. An important document could be destroyed in the search for evidence of foul play. Enter chemicals and alternate light sources (ALS).

There is a protocol for testing with chemicals. If the prints don’t show up with one chemical, then it is possible to try several others, but this can only be done in a certain order:

 

Iodine

DFO

Ninhydrin

Silver Nitrate

MBD

 

If used in this order, the sample won’t be compromised, even though treated several times over several days. We experimented with several chemicals with excellent results, but for the ‘wow’ factor, I’m showing the ones that look great on camera.  😉

Spraying Document

 DFO reacts to amino acids in the prints. We created our samples placing our own enhanced prints on plain white paper. We hung the papers in the fume hood, saturated them with DFO, then put them in the oven to bake for several minutes.

This DFO sprayed, baked sample doesn’t look like much, so it was time to use an ALS to really ‘pop’ the print and make it photo ready.

Alternate Light Sources vary depending on the scene lighting and/or need to highlight the evidence. A few used in the field are: the ‘poor man’s ultimate light source’ (a mag light), black lights, UVC lights, lasers, LED lights, Ruvis lights (cost about $20K), and pure white lights. Each has a specific quality that the investigators can tap when needed.

After we sprayed our samples with DFO and baked them in the oven, we darkened the room, and put on orange plastic glasses. Then we side-lit the sample with a 455nm light. The photo was taken at that point.

Same sample, side-lit at a slightly different angle. Photo taken through an orange filter.

 

Ninhydrin, the third chemical group in the list to be used if nothing has shown up yet, comes in several forms: acetone, zylene and Noveck.  Ninhydrin reacts to another set of amino acids and likes warm, moist air. If a sample is being saved overnight for processing, you can place it in a ziplock bag, blow into it, then seal it and still maintain its integrity.

Before working with any chemical, it’s a good idea to make copies of the document. Why are there different kinds of Ninhydrin? Zylene will run some inks. Acetone will run all inks, all the time. Ooops! There goes the document if you grab the wrong chemical, so copies are definitely necessary. Noveck is the clear winner when working with inks. It gets fast results and dries quickly. Additionally, it can be sprayed on an outer envelope to reveal what’s inside. Without damaging either piece of paper. Very cool.

Ninhydrin-Noveck sprayed on outer envelope

You could see the plots developing in our writerly minds as the Noveck dried and the words inside the folder faded from view.

 

 

 

 

*Photos taken by Patti Phillips at the Sirchie Education and Training Center in Youngsville, North Carolina.

 

 

 

FW: “Have you been fingerprinted?” Read More »

KN, p. 82 “Is that your footprint?”

 

 

 

 

It’s been raining off and on for days. It rained last week during a party, and people were tracking water and a little mud from the driveway runoff onto the porch all afternoon. We had so many different kinds of footprints that it would have made for a great crime scene demonstration.

 

Because, one of the most overlooked pieces of evidence at a crime scene is created by footwear.

 

Imagine: If a window breaks as a thief enters the premises during the commission of a burglary, the glass will fall into the house, and onto the floor or rug below the window. When the thief steps through the window, unless the thief has wings, he/she will probably plant a foot right in the middle of the glass. And walk through the house, most likely tracking minute pieces of that glass. That glass may also become embedded in the grooves of the sole of the shoe, creating a distinctive footprint.

 

If the investigating officer can place a suspect at the scene with the footprint, then there is probable cause to fingerprint that suspect and hopefully establish a link to the crime.

 

A new method of eliminating suspects right at the scene involves stepping into a tray that contains a pad soaked with harmless clear ink that doesn’t stain, then stepping onto a chemically treated impression card. No messy cleanup, immediate results, and it can even show details of wear and tear on the shoe. This can be a way to establish a known standard (we know where this impression came from) to compare with multiple tread prints at the scene.

Footwear Clear Ink Impression

 

 

Another tool for creating a known standard is the foam impression system. It takes a bit longer, (24 hours) but clear, crisp impressions can be made, including of the pebbles and bits stuck deep into the grooves and the writing on the arch. Very helpful when trying to place suspects at the scene. A rock stuck in the sole is a random characteristic that can’t be duplicated, so becomes another point of identification.

 

This is how it works: Somebody steps into a box of stiff-ish foam – a bit like stepping into wet sand.

 

An impression is made instantaneously. The detail is great – down to the wear on the heel.

Pre-mixed dental stone (made with distilled water and the powder) is used to fill the impression.

It takes 24 hours for the cast to become firm enough to pop out of the foam. We now have a permanent record of the footwear tread, which could be used for comparison to other prints found at the scene.

Footwear Casts

 

Occasionally footprints are found on the ground outside a window or in the gardens surrounding a house after a burglary or homicide. Ever see a crime show on TV where the fictional investigator makes a snap judgment about the height and weight of the owner of the footprint because of the depth of the impression? That’s merely a plot device and is not scientific evidence in real life. A crime scene photographer or investigator can photograph the footprint (next to a measurement scale), make a take away cast, and then compare the impression with those of the suspects or other bystanders at the scene. Beware: making a cast of the print destroys the print, so a photograph must be taken before pouring that first drop of dental stone.

 

Footprints can be found at bloody crime scenes as well. The suspect walks through the blood, tracks it through the house, cleans it up, but the prints are still there, even though not obvious to the naked eye. Blood just doesn’t go away, no matter how hard you try to get rid of it. It seeps into the cracks and crevices of a floor and even behind baseboards.

 

A savvy investigator will collect sections of carpet (or flooring) taken from where the suspect might have walked during the commission of the crime, then conduct a presumptive test for blood (LCV – Aqueous Leuco Crystal Violet), find a usable footprint, compare it to a known standard, and then be able to place the suspect at the scene.

 

 

 

 

Be careful where you walk. That footprint can be used as evidence.

 

 

 

*Photos taken by Patti Phillips

 

 

 

 

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